What's new - Having Fun with Fascial Fusion: Choice Health and wellbeing article
Having fun with Fascial Fusion creative fascial techniques that get results
As Myofascial Release and working with fascia becomes ever more popular in the UK, the inevitable question arises “Which are the best and most effective fascial techniques to learn?” The question reminds me of the old adage: Patient: “Doctor, doctor what are the best exercises to do?” Doctor: “The ones that you do!”
In this little snippet lies a fundamental truth –the techniques that are likely to be the most successful are “the ones that you do” i.e.:
those skills that you learn well, use in your practice, and feel passionate about. My own preference is an eclectic Fascial Fusion where I blend different fascial techniques to gain the best result; adapting the technique and the approach for the client and their pain situation. This keeps my bodywork fresh, fun and creative – one of my very first massage teachers said to me many years ago “I have to constantly find ways to not let myself get bored with massage”. I feel that this is so true – as bodyworkers we need to make sure we don’t get into a rut; to keep our bodywork alive by experimenting with different approaches, having fun with the body, constantly seeing what works and what doesn’t work, blending and improvising, using technique, anatomy and intuition in equal doses.
I often quote to my students the great saying “One who works with the hands is a labourer; one who works with the hands and the head is a craftsman; one who works with the hands and the head and the heart is an artist” (St Francis of Assisi). This pretty much sums up my approach to bodywork in general; massage and bodywork are to me always an art, something that touches and brings out one’s fundamental creativity. With fascial work, all the different fascial approaches have their own strengths and a combination can be incredibly powerful, that great fusion of “the hands, the head and the heart”
Overview of different fascial approaches:
In my clinic I have successfully used fascial techniques to treat pain issues such as low back pain, sciatica, carpal tunnel syndrome, RSI, sporting injuries, rotator cuff problems, fibromyalgia and ME, pelvic and menstrual problems, IBS, and headaches. Including fascial work into your existing bodywork ‘toolbox’ will without a doubt enable you to get results more quickly and easily.
There are many techniques that primarily focus on the fascia. Techniques are often referred to as ‘direct’ or ‘indirect’.
In the direct method we have a clear concept of where we want the tissue to go to produce a certain effect. This is used in Rolfing and SI (Structural Integration) techniques where we wish to produce optimal alignment in the body.
Indirect release is the term applied to releases in which the practitioner follows the direction of ease in the client’s tissues rather than working
directly on the restriction first. This is similar to releasing a stuck drawer by pushing it in first.
MFR, cranial and visceral work use this approach
(although not exclusively). Some of the most well-known fascial approaches
Rolfing or SI as developed by Ida Rolf in the 1960s. Rolfing seeks to re-establish proper vertical alignment in the body by manipulating the myofascial tissue so that the fascia elongates and glides rather than shortens and adheres. SI work aims to literally change the shape of the body into more optimal alignment thereby easing pain and dysfunction caused by fascial restrictions. SI work typically takes the body through a series of sessions – 10 in the original ‘Rolfing recipe’; starting at the feet and working the way up the body to achieve balance and ease. SI
approaches incorporate:
☯ Systematic ‘body reading’ to identify imbalances;
☯ A series of deep direct fascial techniques that incorporate work with fists, fingers, forearms together with active movement by the client. This
follows one of Ida Rolf’s great dictums ‘Put it where it belongs and call for movement.’
Other Structural Integration Approaches
Other SI approaches include KMI (Kinesis Movement Integration) as developed by Tom Myers; Hellerwork (includes dialoguing and emotional work) and many others. All of these approaches are based heavily on Rolf’s original work and retain most of her original concepts and techniques. For example, KMI uses 12 sessions rather than 10 to incorporate Tom Myers new ideas around the way fascia links together (Anatomy Trains). However, the techniques are broadly identical to those used by Rolfers and SI practitioners from different schools share more similarities than differences in the way they work.
Myofascial Release (MFR): originally coined by the osteopath Robert Ward, in the 1980s the term MFR was adopted by a physical therapist John Barnes to describe his method of freeing restrictions in the myofascial system. The overall intention of MFR is to relieve pain, resolve structural dysfunction, restore function and mobility and release emotional trauma. MFR techniques rely heavily on the ability of the practitioner to use the ‘listening touch’; tune into the tissues and follow the fascia to where restrictions are held. Techniques taught in this approach usually include cross hand stretches, arm and leg pulls and many others. Some of the techniques taught have a cross over with those from craniosacral therapy (i.e.: transverse fascial plane releases) or in some cases more direct
approaches. Both MFR and structural integration approaches focus mainly on the myofascia – the fascia running through and around the muscles (‘myo’). An all-round fascial practitioner would also be proficient at techniques that seek to identify and release deeper fascial restrictions:
Visceral Manipulation: developed by the visionary French osteopath Jean-Pierre Barrall, sees restrictions in the viscera (organs) as primary to other types of pain including musculo skeletal restrictions. Through tuning into the fascial restrictions around the organs with a sophisticated sense of ‘listening touch’, excellent results can be gained.
Craniosacral Therapy: Works on the deepest layers of the fascia: the dura mater surrounding the brain and spinal cord. William Sutherland was the osteopath who pioneered this approach to healing by recognising the potential of the cranial bones to move; John Upledger has popularised craniosacral therapy in the last few decades.
Combining different approaches – the creative principles of Fascial Fusion
So how can we start to combine all these different approaches into our treatments for optimal results? Here are a few simple principles to get you on your way:
1. Don’t be afraid to use more than one system of assessment: All the different systems have different ways of assessing where the fascial tissues are restricted. Structural integration approaches use body reading, MFR uses a more simplified form of body reading together with sensitivity of listening touch to tune into restrictions. Visceral work uses a sophisticated tool of ‘general listening’ – a hand placed lightly on the top of the head to tune into general restrictions – this is then fine-tuned
through various ‘local listening’ techniques. Cranial work uses ‘arcing’ techniques to tune into
primary restrictions. I find that using a combination of assessment techniques helps me
to develop my skills in being able to tune into where the major fascial restrictions can be found.
All of the above assessment techniques can be easily and efficiently integrated into your initial
consultation.
2. Think of techniques as ‘templates’ rather than ‘absolute’. When you are first learning it is natural to get lost in the absolute detail of how to do a particular technique, i.e.: how many times
do I do that stroke; how exactly do I hold the arm on an arm pull. As you become more proficient
you realise that techniques are actually only ‘templates’ that can be played with – the dictionary defines a template as ‘something that serves as a master or pattern from which other similar things can be made’. So it is with techniques; you can adapt all you fascial skills to
integrate ideas from all the different approaches.
3. The supremacy of ‘listening touch’. I find that whatever fascial techniques you are using can all be enhanced by improving your sense of listening touch – the ability to tune into the tissues and sense where restrictions are and when you get a release.
4. Combine the best ideas from different approaches: Once you are familiar with different styles of fascial work, experiment with combining the best ideas. For example, why not combine the idea of active client movement used in SI with a cross hand stretch? Or use the bodyreading principles to see if there has been a change in client alignment through cranial or visceral work?
5. If one fascial technique doesn’t work use a different one: Sounds obvious but different techniques may be more or less effective depending on the tissue and the situation. If your cross hand stretch isn’t working to release stuck fascia in the low back, try some direct structural integration techniques. If that doesn’t work maybe you need to use a cranial technique to release the dural tube.
I hope this has given you some ideas and confidence to play with integration of different fascial approaches. Fascia work is fun, fun, fun and gets astounding results. Keep your work fresh and exciting and you will always have clients coming back for more.
© Rachel Fairweather is co-founder and director of the Jing Institute of
Advanced Massage. Based in Brighton, London and Edinburgh the Jing
Institute runs a variety of courses in advanced techniques to help you build
the career you desire. Our 9-day comprehensive fascial training (taken in 3
separate modules) is unique in offering hands on skills in all the major
approaches described above. For the therapist who wants to be the best they
can possibly be, we offer a BTEC level 6 (degree level) in advanced clinical and
sports massage – the highest level of massage training in the UK.
Please call or check our website for further information and course dates.
www.jingmassage.com info@jingmassage.com Tel: 01273 628942
Advanced Massage Technique for TMJ, Face and Jaw Pain By Tracey Kiernan
Figures from the British Dental Health Foundation estimate that 1 in 4 people suffer from TMJ (temporo-manibular joint disorder) – a debilitating condition that can cause intense pain in the face and jaw and completely affect the quality of a person’s life.
While teaching a course in massage for the treatment of TMJ I asked students how many thought they had TMJ. In a room of 30 people, 5 people raised their hand. By the end of the morning, after a palpation assessment exercise and discussion around signs and symptoms I asked the question again and this time over half the class raised their hand.
This came as no surprise to me. In my 16 years experience as a dental nurse I saw many patients pass through the surgery suffering with TMJ.
Conventional treatments on offer had mixed success and included wearing splints at night, taking muscle relaxant drugs and painkillers, adjusting high fillings and replacing worn fillings. When these measures failed, patients would be referred to a specialist for extensive tests including panoramic x-rays and even MRI. Surgery was an option but was very rarely considered as a last resort.
So what is TMJ? Why is it so difficult to diagnose and treat? More importantly what can we as massage therapists do about it?
“TMJ” stands for TemporoMandibular Joint.
The TMJ is the hinge joint that connects the lower jaw (mandible) to the temporal bone of the skull. The joints move up and down and side to side and enable you to talk, chew, and yawn. Muscles attached to and surrounding the joint control it’s position and movement.
Because it combines a hinge action with sliding motions, the TMJ is one of the most complex joints in your body. The parts of the bones that interact in the joint are covered with cartilage and are separated by a small shock-absorbing disk, which keeps the movement smooth.
“TMJ” is also used to describe a number of diseases and disorders associated with the joint.
What are TMJ Diseases/Disorders?
TMJ diseases and disorders are a complex set of conditions that can cause pain in the area of the joint and associated muscles and/ or problems using the jaw. Both or just one of the joints may be affected. TMJ diseases and disorders can affect a person’s ability to speak, eat, chew, swallow, and even breathe.
TMJ diseases and disorders fall mainly into three categories. A person may have one or more of these conditions at the same time.
• Myofascial pain. This refers to discomfort or pain in the muscles that control jaw function and can also extend to the muscles in the neck and shoulders.
• Internal derangement of the joint. This involves displacement of the disc that acts as a cushion between the skull and lower jaw.
• Inflammatory joint disease, including arthritis, an inflammatory condition that affects a joint; and synovitis, an inflammatory condition of the synovial membrane. The synovial membrane lines the joint and produces a fluid that lubricates the joint.
Causes
Certain factors can make people more prone to TMJ disorder.
• Having one dominant chewing side
• Teeth Grinding (Bruxism): Many people grind their teeth when they sleep. Other people tend to clench their teeth during stressful situations. Both situations put unnecessary stress on the jaw.
• Whiplash Injury to the neck.
• Dentures: Having worn-down dentures or ones that do not fit properly can cause jaw imbalance.
• Repetitive Chewing: Consistent gum chewing or tendency to eat other chewy foods can weaken jaw muscles.
• Heavy Telephone Use: Using the phone for long periods of time, while cradling the phone between the chin and shoulder, can cause jaw pain.
• Dental Orthodontia
How do we know if a client has TMJ?
First and foremost, as massage therapists it is NOT our job to diagnose
Even for the dental surgeon diagnosing TMJ diseases and disorders can be difficult and confusing. Apart from the three main categories stated above, facial pain can be a symptom of many conditions, such as sinus or ear infections, decayed or abscessed teeth, various types of headache, and facial neuralgia (nerve-related facial pain).
Massage can bring about huge relief for TMJ sufferers where the soft tissues are involved. However there is always the possibility of another problem that needs intervention by a dental professional.
If a client is describing symptoms that make you suspect TMJ there is a simple palpation assessment you can perform to help determine if there is a problem with the joint and soft tissues. You should then refer your client to their dentist for a full assessment and diagnosis and then bring them back to you for treatment to complement the work their dentist is doing.
Signs and symptoms
Pain is the most common symptom. TMJ pain is often described as a dull aching pain in the jaw joint and nearby areas, including the ear. Some people, however, report no pain, but still have problems using their jaw. Other symptoms can include:
•Being unable to open the mouth comfortably
•Clicking, popping or grating sounds in the jaw joint
• Jaws that get “stuck” or “lock” in the open- or closed-mouth position (Trismus)
•Headaches
•A bite that feels uncomfortable or “off”
•Neck, shoulder and back pain
•Swelling on the side of the face
Additional symptoms may include: ringing in the ears, ear pain, decreased hearing, dizzness and vision problems, sensitivity to light, and headaches.
So what can WE do?
The good news is that appropriately trained massage therapists are in a unique position to help sufferers of this condition get out of pain. Disorders of the muscles of the TMJ are the most common complaints by TMJ patients.
The two major observations concerning the muscles are pain and dysfunction. Simple cases of this type of TMJ are caused by overuse of the muscles. Pain in the joint will often be coming from the soft tissues surrounding it. Even if there is a physical problem with the disc or the joint itself the muscles will often be involved and a significant reduction in pain and improved function can be achieved with trigger point work.
My own Journey with TMJ and trigger point therapy
It was shortly after qualifying as a massage therapist that my boss at the surgery mentioned trigger points to me as he had heard they could be indicated in TMJ.
This passing comment set me on a path of discovery which was to shape my whole massage career.
I discovered that trigger points in the trapezius, sub occipitals and SCM are often the main cause of pain in the TMJ. These can then set up satellite or secondary trigger points in the masticatory muscles (temporalis, masseter, lateral pterygoid, and medial pterygoid).
For example trigger points in the SCM can maintain secondary trigger points in the jaw muscles that are the cause of jaw pain and misalignment of the TMJ itself. When you treat the primary trigger points the secondary are often resolved also .
Over the next few months we began looking for volunteers amongst our TMJ patients to try massage for their condition. Everyone we asked was enthusiastic -after all what was the worst that could happen? They might just have a nice massage?
To all of our amazement the treatments began to make a real difference to people who had been through years of pain and restriction.
One such person was a young woman called Vicky. A student at Veterinary college, Vicky was under huge amounts of stress. When she first came to me she had a trismus. Her jaw was locked closed and at her first visit, she could only open her mouth the width of two fingers. She also suffered from severe headaches.
Vicky attended for massage and trigger point therapy weekly. In the beginning we could not treat the muscles of mastication due to the severely limited access, so treatment was focused around the neck and shoulders particularly the trapezius, sub occipitals and SCM.
After her third appointment Vicky was very pleased to report that she could now open her mouth the width of four fingers. I respectfully pointed out that for most people to be able to do that they would need a flip top head! We then continued to treat these muscles for another three weekly appointments after which Vicky reported that her jaw felt loose and comfortable and pain free and her headaches were gone. Vicky continues to have monthly maintenance treatments to help prevent the problem returning.
This story was just one in a series of success stories with this condition which set me off on my “Trigger Point Journey”.
This soon led me to Jing Advanced Massage and their fantastic Advanced Clinical Massage courses which teach proven trigger point protocols for the treatment of pain. My practical experience led to the one day TMJ course, which gives you great techniques to help make a real difference to sufferers of this debilitating condition.
About Tracey Kiernan and Jing Advanced Massage
Tracey Kiernan is a former dental nurse turned massage therapist who specializes in the treatment of pain from her clinic in Liverpool. She is also a head teacher for Jing Advanced Massage. Jing Advanced Massage and Training is an organisation dedicated to excellence in all aspects of postgraduate massage training. Based in Brighton, we offer courses around the country all of which aim to make you the best bodywork therapist you can possibly be. Please call or check our website for further information and course dates.
www.jingmassage.com
info@jingmassage.com
Tel: 01273 628942
Meditation, mindfulness and massage. By Rachel Fairweather
“When we take ourselves out of the present moment we
are entirely unable to function creatively. Entirely unable.
You can’t function creatively except in relation to reality. If
you want to be creative you have to deal with what is
happening. Only by dealing with what is happening can
you really change things for the better.”
Some time ago, I replayed this snippet several times, struck by the power of the central concept of mindfulness and its application to bodywork. These words are so appropriate to our bodywork practice – good bodywork is creative bodywork and as the speaker so eloquently expresses – unless we are in the present moment we are ‘entirely unable’ to be creative. Yet how often are we actually really in the present moment? When we massage are we truly engaged in ‘what is happening’ – are we totally absorbed and fascinated by the feel of the tissues, sensing differences not just physically but emotionally and psychologically? Or, more likely, are we thinking about what we will do next from the ‘routine’ we have learned – or even worse, how long this is taking, how our back is hurting, when will the session be over, or what we are having for dinner?
The key concept of ‘exquisite and excellent’ bodywork lies in our ability to truly focus. Mindful bodywork enables us to pay attention to whether that trigger point technique is really releasing the tissues or producing no change – if so maybe we
need to change our pressure slightly, or our body mechanics or even choose a different technique. I find in my own practice that even the simple act of truly drawing my attention to my work enables a change to happen. As the visionary cranial
therapist Hugh Milne states; “Presence is more important than technique. Beginners want to learn more and more techniques. When you achieve mastery, one technique will do.” In the East, meditation and mindfulness are inseparable from most healing practices. However, their importance can often be overlooked in the West. Beautiful in their simplicity, applying the concepts of mindfulness and meditation to your bodywork can improve enjoyment of your work, enhance results, improve client relationships and enable you to
better manage your work–life balance. This may sound like a fanciful ‘quick fix’ but the truth is that although these concepts are easy to understand, mastery requires a great deal of practice. And the good news is that we can use our own massage practices to do this – any bodywork session is a wonderful opportunity to put meditation and mindfulness into action. If you let your work be your meditation you will never ‘work’ another day in your life – you will leave your massage sessions feeling refreshed energized and bursting with positivism!
What is meditation?
When you read books about meditation, there is often a great deal of emphasis placed on different techniques such as chanting, certain practices with the breath, visualization etc. However, the most important feature of meditation is not technique, but the way of being, the spirit, which is one of quiet focus – of being rather than doing. This can be a difficult concept as it is the opposite of the way we are accustomed to achieving in the West – through striving and effort and often-accompanying stress. In contrast, meditation is simply a question of being, of melting, like a piece of butter left in the sun. You just quietly sit, your body still, your speech silent, your mind at ease, and allow thoughts to come and go, without letting them play havoc on you. Most forms of meditation
practice all place central importance on being mindful of the breath. This is a very simple process – just be aware of the breath, how it feels in your body, noticing any small movements, sounds or rhythms to which you don’t usually pay attention. When you are breathing out, know that you are breathing out. When you breathe in, know that you are breathing in, without going into the usual kind of internal dialogue in which our minds endlessly engage if left to their own devices. This is so much harder than it sounds! Our ‘monkey minds’ are constantly aiming to stray, create noise and endless chatter. A regular practice of meditation enables us to gradually develop our ability to be truly mindful and in the moment. There is a famous Zen saying: “When I eat, I eat; when I sleep, I sleep”. Whatever you do, you are fully present in the act. Of course one can add, “When I massage, I massage!”
What is mindfulness?
Mindfulness is a central concept of the teachings of the Buddha and is felt to be a spiritual faculty that is of great importance in the path to enlightenment. Mindfulness is basically an attentive awareness of the reality of things (especially of the present moment). The Buddha advocated that one should establish mindfulness in one’s day-to-day life maintaining as much as possible, a calm awareness of one’s bodily functions, feelings, thoughts and perceptions, and consciousness itself. Over the last few decades, the importance of mindfulness in maintaining positive mental health and reducing stress has been recognised by modern psychology. Mindfulness practice, inherited from the Buddhist tradition, has been presented free from any religious connotations and is increasingly being employed to alleviate a variety of mental and physical conditions, including chronic pain, obsessive-compulsive disorder, anxiety, and in the prevention of relapse in depression and drug addiction. The psychologist, Dr. Jon Kabat-Zinn has been at the forefront of these developments and, in 1979, founded the Mindfulness-based Stress Reduction programme at the University of Massachusetts to treat the chronically ill. His MBSR programmes (an 8-week course) have proved hugely successful in dealing with a host of physical and mental health issues. Mindfulness, meditation and massage There are many ways that mindfulness and meditation can be employed to positive effect within your bodywork practice.
Here are a few ideas:
Starting your treatments The mindful 3-breath basics!
Take time at the start of each and every treatment to become truly aware of yourself and your client’s body. Once your client is on the
table, take a few seconds to notice how your own body is feeling before initiating contact. Notice where the weight is on your feet, how you are feeling and most importantly tune into your breath and follow it for at least 3 breaths, This only takes a second but will radically change your ‘entry’ into your session. Usually just truly becoming aware of your body enables you to relax your posture, to release any tension and to begin to clear your mind. I feel that to do a truly effective bodywork
session your body should feel like a ‘still pond’ – it is only from this starting point that you will be able to pick up changes and responses in your client. Then let your hands float slowly down and rest them lightly on your client’s body. Anywhere will do – I like to put one hand on the sacrum and one between the shoulder blades, other possibilities are holding the feet or the head. At this point you are not trying to ‘do’ anything you are simply ‘being’, allowing your client to start to come to his or her own place of stillness. Tune
into the movements of your client’s breathing with your hands and follow with your attention for at least 3 breaths. Be completely absorbed by what you are feeling, the texture of the drape, the quality and rhythm of the movements, the feeling of your hands against the body. Again just following for only 3 breaths will make a tremendous difference to your connection with your client. You may find that just through this simple exercise of paying attention, your client’s breathing starts to slow down and change.
Talking your client through a simple mindfulness exercise If you feel confident you can enhance the effects of the above by talking your client through a short and simple mindfulness exercise at the start of the session. This is a great way to quiet down those clients who like to talk endlessly throughout the treatment and gives both you and your client permission to focus on their body rather than the ‘monkey chatter’ of their mind. Say something like: “Now to begin the treatment, just allow yourself to tune into your body. Just gently notice the feeling of your body against the couch, noticing the feeling of the towel and the feeling of my hands. And now just gently draw your attention to the breath, noticing the in breath and the out breath. Allow yourself to tune into those small movements and sounds you don’t usually notice. As you pay awareness to the breath you may find it start to change. Just notice the changes, don’t judge or try to interpret. Allow yourself to just be.” This basic script is enough for the client to start to notice their own body and begin to release
tension, which already makes your job so much easier!
Mindfulness during the session
Setting the tone for the treatment in the above way, continue your practice with always striving to develop your skills of mindful bodywork during the session. Aim to continually draw your mind back to your hands and the feeling of your client’s body, noticing when your mind starts to wander and just gently drawing yourself back to the feeling of the present moment. Tuning into your own breath is key to bringing yourself back into your own body rather than your head. The simple act of drawing your attention to what is really going on can produce far more results than technique administered with no awareness. Mindfulness as self-help for clients after the session
Developing a meditation and mindfulness practice can be a wonderful self-help tool for clients who are experiencing chronic pain or stress-related problems. There are usually lots of different facilities locally offering meditation groups; also look for the MBSR programmes.
I leave you with the words of Thich Nhat Hanh
from his lovely yet simple book ‘Peace in Every
Breath’.
“Breathing in I see myself as
space. Breathing out I feel
free.” CHW
© Rachel Fairweather is co-founder and director of the Jing Institute of
Advanced Massage. The Jing Institute of Advanced Massage Training is an
organisation dedicated to excellence in all aspects of postgraduate massage
training. Based in Brighton, we offer courses around the country. Our courses
include longer qualifications in advanced massage including our revolutionary
BTEC Level 6 (degree level) in Advanced Clinical and Sports massage and 1-2
day CPD courses in Hot Stone Fusion, trigger point, myofascial release,
stretching, pregnancy, on site, living anatomy and many others. You can also
check out the approaches discussed in this article in our DVD in advanced
clinical massage techniques, downloadable from the website. Please call or
check our website for further information and course dates. Tel: 01273 628942
www.jingmassage.com info@jingmassage.com
Or follow us on Facebook or Twitter!
Massage World: College profile on the JING Institute
Working Team who run the college: Meghan Mari, BA (Hons), M.A, L.M.T and Rachel Fairweather BA (Hons), AOS, L.M.T
A great community of professional therapists and expert teachers who wanted to make a difference.
Background:
The Jing Institute is a revolutionary postgraduate training organisation providing master CPD courses and ground-breaking qualifications. The winner of this year’s CAM Expo Outstanding Achievement award, JING offers a new qualification to UK therapists, the BTEC level 6 in Advanced Clinical and Sports Massage accredited by Edexcel. By giving therapists the opportunity to train to degree level, JING has achieved great strides for the massage world. Founders, Rachel Fairweather and Meghan Mari have been therapists for over 20 years and began training master therapists in New York City in 1999. In 2003, they brought their pioneering courses to Brighton, centered on treating specific pain conditions such as frozen shoulder and sciatica. The feedback was phenomenal and JING trained therapist’s expanded their practices to an entire new height using proven JING protocols to get clients out of pain. JING became known as the place to train if you want to have a full-time practice and really make a difference in client’s lives. JING, now offers over 50 Master CPD courses, 3 Advanced Certificates, and the BTEC level 6. Therapists can train around the country with an expert team for just 2 days, or up to 3 years.
Current Mission Statement:
To see the profession and you, the professionals, gain the expertise and recognition that you deserve.
Future:
JING is going global! Meghan and Rachel and are sought after international guest lecturers in massage and anatomy at several UK and US massage and yoga schools, including the International Dermal Institute, Chichester College, McTimoney Chiropractic Association and the FHT. They have been nominated for the Tutor of the year Award at the FHT 50 year conference this July and will be offering 8 workshops. They will continue to write articles for several professional magazines, including Choice health and Well-being and now Massage World. JING annually offer a large workshop programme at CAM expo and are expanding to least four of the major trade shows. The biggest news is, as part of the BTEC level 6, The JING Institute is working with the University of York to develop a centre of clinical massage research unparallelled in the UK.
Why Should Massage World readers come to the JING Institute:
Join the revolution! You want to be the best and JING wants you to be the best! JING has created a revolution by offering the most comprehensive post graduate training in the UK open to therapists from all backgrounds. Courses include the Advanced Clinical Massage series to treat pain such as RSI, Whiplash, and knee pain, Trigger point Therapy, Advanced Certificate in Myofascial Release, Advanced certificate in Musculoskeletal anatomy, Pregnancy Massage, Eastern and Sports Techniques. As the creators of the BTEC level 6 in Advanced Clinical and Sports massage, accredited by Edexcel, JING is the only institution approved to offer this level of massage education in the UK. The work we teach is serious but we do it with a lot of laughter. We use innovative teaching methods that ensure that you leave courses with the material in your hands, head and hearts. All work is taught practically so that you can use it right away in your clinic.
All courses are recognized by the FHT, CtHA and all major professional bodies for CPD points. Contact details:
JING Institute of Advanced Massage Training
28/29 Bond Street
Brighton
BN1 1RD
Tel: 01273 628 942
info@jingmassage.com
www.jingmassage.com
Course Venues: Brighton, London,
Edinburgh, Kendal, Cornwall,
Liverpool
To order the latest version of Massage World magazine please CLICK HERE
“The Seven Secrets of highly successful Bodyworkers”
“The Seven Secrets of highly successful Bodyworkers” New article by Meghan Mari and Rachel Fairweather
(with acknowledgements to Steven Covey for his inspirational book: The Seven habits of Highly successful people)
What makes a really GREAT bodyworker?
During my fifteen year love affair with bodywork I have practised, taught, studied and received massage in many diverse parts of the world including the UK, USA, Europe and Thailand. I have known bodyworkers from many different disciplines and walks of life, from the extreme ends of the “New Age” to the resolutely scientific. I have experienced people working with muscles, bones, auras, Qi, cranial rhythms, Sen lines, meridian lines, manipulating organs, fascia, using movement and stillness. I have seen healing happen through working on the body, off the body and in the deepest layers of the body.
From all of this it has become apparent to me that some bodyworkers “make it” – they are successful, happy, have the practice they desire, feel like they are travelling their life path, and are financially content in whatever way that means to them. Others never quite seem to get there, their practises don’t flourish, clients don’t come back to them, they are scraping a living emotionally and financially.
So what is the difference? What makes a truly great bodyworker? It seems no single quality alone will suffice. I have seen highly gifted and intuitive therapists burn out rapidly as they become overwhelmed with the practicalities of running a business. I have seen therapists who are successful business people and know their anatomy inside and out but who have no sensitivity of touch or ability to relate to clients.
This article attempts to distill the essence of some of those qualities I have observed in the therapists who are living and loving their life and work to the full – the Seven Secrets of Highly Successful Bodyworkers.
Secret One: Enthusiasm
“Nothing great was ever achieved without enthusiasm” Emerson
“Nothing is so contagious as enthusiasm; it moves stones, it charms brutes. Enthusiasm is the genius of sincerity and truth accomplishes no victories without it” Bulwer-Lytton
Great bodyworkers LOVE what they do. They are excited, animated and energised by their work. They love to talk about it, read about it, let others know how great bodywork is. And their enthusiasm doesn’t just stop at the bodywork; they are energetic about all aspects of their practice; how they can make their clinic room the most restful and appealing to their clients, how they can design a great business card or leaflet, how they can find the best clinic or colleagues to work with. Enthusiasm is contagious, your clients want to know that you believe in what you do, they want a piece of what makes you buzz. If you are bored by your work, your clients will know and, lets face it, who wants to be around someone who is jaded .
One of my first teachers said to me “I have to constantly find ways to stop myself getting bored with massage”. That is what good bodyworkers do- they are fascinated by the body, always finding new ways to achieve better results with their clients, looking for new techniques. If you are still doing the same routine you learned five years ago, chances are you will be bored. So if you are jaded with your work, go and get some training, find new ways to work, move, break out of the box. Find a colleague to swap with and learn some new techniques. Read a great bodywork book. Surf the internet for inspiring bodywork sites. Rediscover your passion for your work and watch your practice grow.
Secret Two: Perseverance
“Victory belongs to the most persevering” Napoleon
“ I never did anything worth doing by accident, nor did any of my inventions come by accident, they came by work” Edison
“ If people knew how hard I worked to get my mastery, it wouldn’t seem so wonderful after all” Michelangelo
Like these famous characters, successful bodyworkers know the value of hard work and perseverance. Great therapists “keep on keeping on” when things are not going their way, pick themselves back up after mistakes and failures. No matter how talented you are, building a successful practice takes time, work and perseverance. Don’t expect the phone to just start ringing when you qualify; you need to put in effort and good old fashioned elbow grease to get those clients. Remember the old adage “If you love what you do you’ll never work another day in your life”. So love your vocation, work hard at it and enjoy the journey.
Secret Three: Be open to new learning
“As for me all I know is that I know nothing” Socrates
“ To be conscious that you are ignorant is a great step to knowledge” Disraeli
The fascinating paradox is that great bodyworkers “know their stuff” yet at the same time are comfortable with “not knowing” and are always striving to learn more. Taoist sages claim that “one who does not know actually knows, and one who knows really does not know”. To be empty, to recognize how little we know is to be abundant. Successful bodyworkers are always open to new learning, and recognise we are always beginners with so much to learn. There is a wonderful story in the book “ Beyond Shiatsu” by the inspirational bodyworker and teacher Ohashi as follows
“In the 1970s I gave some sessions to the late prima ballerina Margot Fonteyn. After one of them she said she was attending ballet classes for beginners. I asked her “ Why are you- a famous, top ballerina- taking a beginners basic course with 18 year old kids. She said “If I don’t take this class every day, I can tell it in my performance; and if I don’t take this class for 2 days my choreographer can tell and if I don’t take it for 3 days, an experienced audience can tell”. This is the essence of mastery – to always be open to new learning, to seek out inspirational teachers and mentors, to use their experience to give you shortcuts to the success you desire.
Secret Four: Great Touch
“ Good bodywork is 90% perception and 10% technique: (Christophe Somer; Rolfer)
Successful bodyworkers have great touch. Their work has focus, sensitivity and connection. The term “listening touch” coined by Rollin Becker describes this perfectly. Good listening touch is different than knowing lots of techniques- skills are important but if they are carried out with lack of focus and feeling, your work will be ineffective. It doesn’t matter whether you are doing sports massage, relaxation massage, aromatherapy, shiatsu, craniosacral work or Thai massage, the therapists who get good results and retain clients have great touch. This doesn’t mean they were just born with it: like everything else, good touch and sensitivity comes from application, focus and experience. Good teachers will teach you not just technique but how to touch – how it feels to palpate a tight muscle, restricted fascia, stagnant energy or the gentle tide of the cranial rhythm. Receiving bodywork yourself will teach you what feels good and what doesn’t. Cultivate your sense of touch by being fascinated by the body and its hidden rhythms and find yourself a good teacher whose touch thrills your senses.
Secret Five: Outcome orientated treatments
Successful bodyworkers are focussed on the outcome of their treatments not just what style or techniques they offer. If a client wants to relax, a good therapist doesn’t just launch into the same old tired routine but digs into their toolbox of techniques and finds what they can use to make this unique individual relax. This may well be entirely different from what will be needed to enable the next client to achieve deep relaxation. At Jing, our medical massage courses look at how to reduce pain within 1-6 treatments from a combination of advanced techniques including trigger point, myofascial release and stretching. Being outcome orientated builds practices and retains clients as they know exactly what they can expect to achieve from the treatment or series of treatments. Being outcome orientated also relies on good consultation and assessment skills so you know what your client needs and expects.
Secret Six: Graceful Body mechanics
“ The energy is rooted in the feet, developed in the legs, directed by the waist and expressed trhough the fingers” (Tai Chi classics)
You can spot a good bodyworker a mile away from the grace and ease of their bodies when they work. They are focussed and at one with their work. Just watching them makes you feel relaxed. At Jing, we place primary importance on teaching our students great body mechanics. You will learn to move with ease and fluidity and to avoid techniques that place strain on hands, necks, backs and wrists. Learn the dance of massage, moving according to the principles of Tai Chi, using breath and energy and from a firm rooted foundation.
Good bodyworkers also understand that “less is more” and use graceful body mechanics to move from a position of ease:
“ Over and over again people come to me and they tell me, you just don’t know how strong I am. They say “strength” and I want to hear “balance”. The strength idea has effort in it; this is not what I am looking for. Strength that has effort in it is not what you need; you need the strength that is the result of ease” (Ida Rolf, founder of Rolfing)
Secret Seven: Know your worth
Successful therapists know their worth and charge appropriately for what they do. They understand that money is just a unit of energy and that if you are not charging appropriately for what you do, this is a quick route to exhaustion and resentment. Good bodyworkers are able to feel confident about re-booking clients as their treatments are professional, appropriate and outcome oriented.
About Jing
The Jing Institute of Advanced Massage Training is an organisation dedicated to excellence in all aspects of postgraduate massage training. Based in Brighton, we offer courses around the country. Our courses include longer qualifications in advanced massage including our revolutionary BTEC Level 6 (degree level) in Advanced Clinical and Sports massage and 1-2 day CPD courses in Hot Stone Fusion, trigger point, myofascial release, stretching, pregnancy, on site, living anatomy and many others. Please call or check our website for further information and course dates.
www.jingmassage.com
info@jingmassage.com
Tel: 01273 628942
Copyright Jing Institute of Advanced Massage . Text Rachel Fairweather. Photos Meghan Mari
Having Fun with Fascial Fusion: Choice Health and wellbeing article
Having fun with Fascial Fusion creative fascial techniques that get results
As Myofascial Release and working with fascia becomes ever more popular in the UK, the inevitable question arises “Which are the best and most effective fascial techniques to learn?” The question reminds me of the old adage: Patient: “Doctor, doctor what are the best exercises to do?” Doctor: “The ones that you do!”
In this little snippet lies a fundamental truth –the techniques that are likely to be the most successful are “the ones that you do” i.e.:
those skills that you learn well, use in your practice, and feel passionate about. My own preference is an eclectic Fascial Fusion where I blend different fascial techniques to gain the best result; adapting the technique and the approach for the client and their pain situation. This keeps my bodywork fresh, fun and creative – one of my very first massage teachers said to me many years ago “I have to constantly find ways to not let myself get bored with massage”. I feel that this is so true – as bodyworkers we need to make sure we don’t get into a rut; to keep our bodywork alive by experimenting with different approaches, having fun with the body, constantly seeing what works and what doesn’t work, blending and improvising, using technique, anatomy and intuition in equal doses.
I often quote to my students the great saying “One who works with the hands is a labourer; one who works with the hands and the head is a craftsman; one who works with the hands and the head and the heart is an artist” (St Francis of Assisi). This pretty much sums up my approach to bodywork in general; massage and bodywork are to me always an art, something that touches and brings out one’s fundamental creativity. With fascial work, all the different fascial approaches have their own strengths and a combination can be incredibly powerful, that great fusion of “the hands, the head and the heart”
Overview of different fascial approaches:
In my clinic I have successfully used fascial techniques to treat pain issues such as low back pain, sciatica, carpal tunnel syndrome, RSI, sporting injuries, rotator cuff problems, fibromyalgia and ME, pelvic and menstrual problems, IBS, and headaches. Including fascial work into your existing bodywork ‘toolbox’ will without a doubt enable you to get results more quickly and easily.
There are many techniques that primarily focus on the fascia. Techniques are often referred to as ‘direct’ or ‘indirect’.
In the direct method we have a clear concept of where we want the tissue to go to produce a certain effect. This is used in Rolfing and SI (Structural Integration) techniques where we wish to produce optimal alignment in the body.
Indirect release is the term applied to releases in which the practitioner follows the direction of ease in the client’s tissues rather than working
directly on the restriction first. This is similar to releasing a stuck drawer by pushing it in first.
MFR, cranial and visceral work use this approach
(although not exclusively). Some of the most well-known fascial approaches
Rolfing or SI as developed by Ida Rolf in the 1960s. Rolfing seeks to re-establish proper vertical alignment in the body by manipulating the myofascial tissue so that the fascia elongates and glides rather than shortens and adheres. SI work aims to literally change the shape of the body into more optimal alignment thereby easing pain and dysfunction caused by fascial restrictions. SI work typically takes the body through a series of sessions – 10 in the original ‘Rolfing recipe’; starting at the feet and working the way up the body to achieve balance and ease. SI
approaches incorporate:
☯ Systematic ‘body reading’ to identify imbalances;
☯ A series of deep direct fascial techniques that incorporate work with fists, fingers, forearms together with active movement by the client. This
follows one of Ida Rolf’s great dictums ‘Put it where it belongs and call for movement.’
Other Structural Integration Approaches
Other SI approaches include KMI (Kinesis Movement Integration) as developed by Tom Myers; Hellerwork (includes dialoguing and emotional work) and many others. All of these approaches are based heavily on Rolf’s original work and retain most of her original concepts and techniques. For example, KMI uses 12 sessions rather than 10 to incorporate Tom Myers new ideas around the way fascia links together (Anatomy Trains). However, the techniques are broadly identical to those used by Rolfers and SI practitioners from different schools share more similarities than differences in the way they work.
Myofascial Release (MFR): originally coined by the osteopath Robert Ward, in the 1980s the term MFR was adopted by a physical therapist John Barnes to describe his method of freeing restrictions in the myofascial system. The overall intention of MFR is to relieve pain, resolve structural dysfunction, restore function and mobility and release emotional trauma. MFR techniques rely heavily on the ability of the practitioner to use the ‘listening touch’; tune into the tissues and follow the fascia to where restrictions are held. Techniques taught in this approach usually include cross hand stretches, arm and leg pulls and many others. Some of the techniques taught have a cross over with those from craniosacral therapy (i.e.: transverse fascial plane releases) or in some cases more direct
approaches. Both MFR and structural integration approaches focus mainly on the myofascia – the fascia running through and around the muscles (‘myo’). An all-round fascial practitioner would also be proficient at techniques that seek to identify and release deeper fascial restrictions:
Visceral Manipulation: developed by the visionary French osteopath Jean-Pierre Barrall, sees restrictions in the viscera (organs) as primary to other types of pain including musculo skeletal restrictions. Through tuning into the fascial restrictions around the organs with a sophisticated sense of ‘listening touch’, excellent results can be gained.
Craniosacral Therapy: Works on the deepest layers of the fascia: the dura mater surrounding the brain and spinal cord. William Sutherland was the osteopath who pioneered this approach to healing by recognising the potential of the cranial bones to move; John Upledger has popularised craniosacral therapy in the last few decades.
Combining different approaches – the creative principles of Fascial Fusion
So how can we start to combine all these different approaches into our treatments for optimal results? Here are a few simple principles to get you on your way:
1. Don’t be afraid to use more than one system of assessment: All the different systems have different ways of assessing where the fascial tissues are restricted. Structural integration approaches use body reading, MFR uses a more simplified form of body reading together with sensitivity of listening touch to tune into restrictions. Visceral work uses a sophisticated tool of ‘general listening’ – a hand placed lightly on the top of the head to tune into general restrictions – this is then fine-tuned
through various ‘local listening’ techniques. Cranial work uses ‘arcing’ techniques to tune into
primary restrictions. I find that using a combination of assessment techniques helps me
to develop my skills in being able to tune into where the major fascial restrictions can be found.
All of the above assessment techniques can be easily and efficiently integrated into your initial
consultation.
2. Think of techniques as ‘templates’ rather than ‘absolute’. When you are first learning it is natural to get lost in the absolute detail of how to do a particular technique, i.e.: how many times
do I do that stroke; how exactly do I hold the arm on an arm pull. As you become more proficient
you realise that techniques are actually only ‘templates’ that can be played with – the dictionary defines a template as ‘something that serves as a master or pattern from which other similar things can be made’. So it is with techniques; you can adapt all you fascial skills to
integrate ideas from all the different approaches.
3. The supremacy of ‘listening touch’. I find that whatever fascial techniques you are using can all be enhanced by improving your sense of listening touch – the ability to tune into the tissues and sense where restrictions are and when you get a release.
4. Combine the best ideas from different approaches: Once you are familiar with different styles of fascial work, experiment with combining the best ideas. For example, why not combine the idea of active client movement used in SI with a cross hand stretch? Or use the bodyreading principles to see if there has been a change in client alignment through cranial or visceral work?
5. If one fascial technique doesn’t work use a different one: Sounds obvious but different techniques may be more or less effective depending on the tissue and the situation. If your cross hand stretch isn’t working to release stuck fascia in the low back, try some direct structural integration techniques. If that doesn’t work maybe you need to use a cranial technique to release the dural tube.
I hope this has given you some ideas and confidence to play with integration of different fascial approaches. Fascia work is fun, fun, fun and gets astounding results. Keep your work fresh and exciting and you will always have clients coming back for more.
© Rachel Fairweather is co-founder and director of the Jing Institute of
Advanced Massage. Based in Brighton, London and Edinburgh the Jing
Institute runs a variety of courses in advanced techniques to help you build
the career you desire. Our 9-day comprehensive fascial training (taken in 3
separate modules) is unique in offering hands on skills in all the major
approaches described above. For the therapist who wants to be the best they
can possibly be, we offer a BTEC level 6 (degree level) in advanced clinical and
sports massage – the highest level of massage training in the UK.
Please call or check our website for further information and course dates.
www.jingmassage.com info@jingmassage.com Tel: 01273 628942